
In the previous
post, we showed pictures of the painting with the Ichimonji and Hashira intact. The second photo was of the painting after the Sou & Hadaurauchi were removed. (These are additional layers of backing paper). This photo is of the painting with a new Hadaurauchi applied. It helps remove the wrinkles, and repairs the tear, and helps to minimize the yogore or stains on the left hand side of the painting. I got the cloth in from Japan last week, but want to give this one a little time on the drying board.
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