Showing posts with label Suiseki Kakejiku. Show all posts
Showing posts with label Suiseki Kakejiku. Show all posts

Friday, April 10, 2015

Kaki (Persimmon) Sumi-e Scroll

This is a monochrome painting for a suiseki customer in Southern California. It is a beautiful simple scroll, that will go well with an informal
stone. I hope to see the final installation.

I did this in the Fukuro Hyougu style as it is the most simple for me based on what the customer wanted to present. It has a very dull grey/brown cloth that is nice for a fall feeling. It was painted by Mariusz Szmerdt, and he did an excellent job. The jikusaki is a lacquer that has a red orange tint, to help visually reinforce the painting's theme of a Kaki (persimmon). The suji surrounding the artwork and in the Ten and chi is a light gold, usukin. The hanging string is also an usukin.

Dimensions are as follows:
Name in Kanji Name in English Size in Bun Size in Inches
Ten (upper) 70 8.35
Ten (Lower) 40 4.77
Suji 1 0.12
紙本の幅さ Artwork Width 155 18.49
紙本の長さ Artwork Length 327 39.01
Pillars 19 2.27
Chi (upper) 20 2.39
Chi (middle) 10 1.19
Chi (lower) 40 4.77
掛け軸の幅さ Scroll Width 195 23.26
掛け軸の長さ Scroll Length 512 61.08



Monday, December 9, 2013

Ichizoku Sankan wo Yaburu

This scroll was made for a suiseki artist's display. I hope to have a picture of it paired with the suiseki at some point in the future. The suiseki is a horse, and the year of the horse is to be a strong spirit and full of life. So I was searching for phrases in the Zen book that exemplified those principles. This is what came up.

It is written by Yoshimi Yamada Maples in Gyousou (mix full and semi-cursive) style. The scroll is made in a Nidan Hyougu styling. The top dark green cloth is a Shike, the Chuumawashi is a yellow and green with a wave pattern in it. Both are benberugu cloths. The jikusaki is the First Order Gold Ring (non-lacquer) wood, and the kakehimo is the Kodai San Iro. It think it turned out simple, yet elegant, which will melt into the background of the stone.

Dimensions as follows along with an expanded translation of the meaning of the phrase.

Name in Kanji Name in English Size in Bun Size in Inches
Ten 102 12.17
上中廻し Ue Chuumawashi 34 4.06
紙本の幅さ Artwork Width 109 13.00
紙本の長さ Artwork Length 295 35.19
Pillars 20 2.39
下中廻し Shita Chuumawashi 20 2.39
Chi 65 7.75
掛け軸の幅さ Scroll Width 149 17.77
掛け軸の長さ Scroll Length 516 61.55



Within One’s Own Heart:
Is it possible to shoot an entire herd of deer with one arrow? Of course that idea is unfathomable, to reasonable person. However, in Zen, this type of feat is said to be possible. The key is to understand how it could be done.
The answer to that thought is this phrase “Ichizoku Sankan wo Yaburu「一鏃破三関」Like the characters imply the meaning is with a single arrow onoe can shoot through three barriers. Well now one asks, but what does this really mean?
People seek out the true way something should be done, and no matter how one suffers like a hungry ghost, this is the Sankan or three barriers. In other words, the many heavy worldly desires that we take upon and surround ourselves with do not help us go to our true thoughts. In order to break these three barriers, just look to let the arrow fly will not hit any target. What if we make the target face our own heart. Those hungry souls lost in their own desires have been able to remove these worldly burdens by aiming at their own soul.
As people, we think that our own problems are the things that surround us, but in reality it is the many things our heart tells us that decide what are problems really are. This phrase teaches us that if we look upon our own heart, we will be able to completely overcome the obstacles that confront us.
 

Wednesday, December 14, 2011

Suiseki Display Scroll

This was a commissioned scroll and is already sold. If you would like to purchase a custom kakejiku, please contact to sales@customjapanesecalligraphy.com or visit our online store at www.shop.customjapanesecalligraphy.com 

This customer ordered a scroll specifically to display with a Suiseki. We consulted on various aspects, and they chose to do it in a Nidan Hyougu (Two Step) style of scroll. My only concern is that my display Sensei dislikes the use of darker kireji (cloths) as he says it distracts from the main Suiseki/bonsai.

With that said, I think it is a pretty color combination with the gold to brown transition, giving it an earthy feel that could be matched well with the rock. The Enso, was also selected from some my wife, Ryugyoku had drawn previously. The scroll is complemented with a beautiful pair of Ebony (Kokutan) jikusaki and Kincha (Dark Gold) hanging string.

Dimensions are listed below:

Name in Kanji Name in English Size in Bun Size in Inches
Ten 115 13.72
上一文字 Ue Ichimonji 43 5.13
紙本の幅さ Artwork Width 89 10.62
紙本の長さ Artwork Length 67 7.99
Pillars 13 1.55
下一文字 Shita Ichimonji 27 3.22
Chi 75 8.95
掛け軸の幅さ Scroll Width 115 13.72
掛け軸の長さ Scroll Length 327 39.01