Showing posts with label Japanese Calligraphy Art. Show all posts
Showing posts with label Japanese Calligraphy Art. Show all posts

Saturday, May 30, 2015

Amaya (Rainy Night)

This is a scroll to Australia. It was ordered online directly through my website at www.shop.customjapanesecalligraphy.com If you would like to order a scroll direct please use the website or my email at sales@customjapanesecalligraphy.com

The scroll is written in the semi-cursive style called Gyousho. It is bordered by a gold on gold ichimonji in the Maru Hyougu style. It is completed with a black, plastic jikusaki and a Takuboku (white with blue fleck) hanging string.

Scroll Dimensions as follows:
Name in Kanji Name in English Size in Bun Size in Inches
Ten 103 12.29
上一文字 Ue Ichimonji 12 1.43
紙本の幅さ Artwork Width 77 9.19
紙本の長さ Artwork Length 108 12.88
Pillars 20 2.39
下一文字 Shita Ichimonji 6 0.72
Chi 52 6.20
掛け軸の幅さ Scroll Width 117 13.96
掛け軸の長さ Scroll Length 281 33.52
 

Friday, July 30, 2010

Shihan Kaku Rank Japanese Calligraphy Seasonal Scroll

This scroll was submitted in which her writing was deemed of quality to become the Shihan Rank in her calligraphy society. This scroll is not for sale. This is written in a mixed style called Gyousou which utilizes both Semi and Full-cursive styles.

This phrase is a stanza of a longer poem, and reads as follows.
照渓苦芳樹紅雲合迎客幽禽翠雨軽し
渓を照らす芳樹紅雲合し 客を迎える幽禽翠雨軽し 
けいをてらすほうじゅこううんがっし きゃくをむかえるゆうきんすいうかるし
Kei wo Terasu Houjukouungasshi Kyaku wo Mukaeru Yuukinsuiukarushi

The meaning of this phrase as follows:

In the valley, the fragrance of the orchards wafts in the air, and crimson clouds gather. During the light rainfall, the beautiful birds come resting on the new green branches, which have awaited the return of their nimble visitors.

This was written in March preparatory to submission for the test submission in April. This evokes images of springtime in Japan. It would be a wonderful scroll to use for a bonsai display that utilizes an early springtime theme. The scroll is very long, about 10 feet in length, and my wife's first comment was that the Ten was too long. However, because a kakejiku is traditionally viewed from a seza kneeling position, I wanted to create a scroll that would be balanced and focus on the writing, following a more traditional design format.

I am very appreciative of the time and effort my wife expends on perfecting her writing. This scroll is my gift to her. I let her choose every aspect of the kireji, jikusaki, and kake/makihimo. The cloth has a green leaf pattern which is used for the viewer to have the image of the birds resting on the green branches. I had a red jikusaki to symbolize the crimson clouds, but Yoshimi opted for the black with gold band, which is a new addition to the inventory. The kakehimo is a white with Blue/Green speckle and was used to set it apart from the Shirocha (gold) that I normally use. This scroll took over three months start to finish, but has given me a great satisfaction upon completion.

If you would like to order a custom scroll there are three ways to get started: 1. Go to my shopping site at www.shop.customjapanesecalligraphy.com 2. Download my scroll design workbook from my website at www.customjapanesecalligraphy.com to read about the concepts behind kakejiku or wallscroll design. 3. E-mail to me directly at sales@customjapanesecalligraphy.com


Thursday, October 29, 2009

Enso Scroll 袋表具 Fukuro Hyougu


 The Fukuro Hyougu scroll is characterized by lines of cloth called Suji 筋in the Ten and Chi. The lines can run horizontal or vertical from just inside the Kan.


The Suji are typically much smaller (less than 1 Bun 分 which equals about 3 millimeters). But in this scroll, a thicker, black 3 Bun Suji was used to help provide contrast with the light, pale blue cloth.

I did not use Ichimonji to border the work, but what I did do was take Fukushima Silk 福島絹 and put that between the work and the Hada Urauchi (First Layer of backing paper). Although very light in both texture and color, this provides just a hint of the same cloth color around the Enso circle. (A deeper explanation on the Enso meaning is provided in a previous scroll translation.)

What I was trying to achieve was the Blue (In & Around the Enso), Black (Calligraphy Work), Blue (Cloth), Black (Suji), Blue (Cloth) and Black (Jikusaki). This provides a rounded overall feel of balance and coordination.
If you have questions about working with us to develop your own personalized framed scroll, contact Jonathan Maples at 435-656-1870 view my website at http://www.customjapanesecalligraphy.com/ or e-mail to sales@CustomJapaneseCalligraphy.com .